When I was about twelve or thirteen, somewhere in that sweet spot where life was still mostly about cheeseburgers, football, and hoping your voice wouldn’t crack in front of a girl, this song started playing on the radio. “The First Time Ever I Saw Your Face” by Roberta Flack. It didn’t come in like most pop hits, no thumping beat or catchy hook. Just soft piano and subtle strings, like it tiptoed into the room and whispered something meant only for you.
Back in junior high, there was this guy named Johnny Johnson. He wasn’t just any kid—Johnny was the kid. He was the guy every boy wanted to be, and every girl dreamed of marrying.
In second grade, I had a classmate named Billy Bowman. He was the best-dressed 8-year-old in school, always sporting a snap-up shirt, cowboy boots, and classically styled hair neatly combed and raised in the front like Ricky Ricardo’s. Billy’s voice was a cute mix of high-pitch and gentleness, with a refined bilingual accent that made each word and sentence sound flawless. I can still remember the sparkle and excitement in his eyes when he spoke. Billy was a beautiful boy.



I'm The Slime from the 1973 album Over-Nite Sensation by Frank Zappa and The Mothers.
The Slime
by CD
Once upon a modern dreariness, nestled between the flickering shadows of yesterday and the blinding lights of the future, television transformed. That magical box that united families, kindled imaginations, brought stories from all over the world, and invited us to laugh, think and wonder together had morphed, – a chameleon darkened by the passage of five short decades.
In the beginning, its glow was a beacon, drawing in weary souls seeking solace, laughter, and dreams. It was a communal hearth where stories danced like flames, enlightening minds and warming hearts. But as the years rolled by, the vibrant hues of creativity and unity faded into a monochromatic haze.
What used to be a source of joy and unity turned into something ugly. The era of enlightenment decayed into the age of excess. Television, once the dreamweaver, became the dreamstealer. It transformed oh so gradually into a siren, luring viewers with the promise of escapism, only to slime us as portrayed by Frank Zappa and The Mothers.
The screen, once a window to worlds unseen and voices unheard, became a mirror, reflecting and magnifying society's most poisonous underbelly. It reveled in the sordid dance of reality unbound by ethics and we ate it up, slowly turning us into zombies by the process of osmosis.
God has been forgotten and replaced with “I am God. I can solve all of my own problems.” Television nudged that agenda along. Truth was its first casualty followed by the sacrifice of human dignity. Gone were the days of gentle lessons and heartfelt connections. In their stead rose a buffet of chaos, confusion, and shock value. Sensationalism sat enthroned, crowned by apathy.
As the clock ticks toward another uncertain dawn, the television– coupled with the exponential wickedness of the internet, stands, a monument to what was and a warning of what is. It is the Pandora's box of a new era, unleashing untold ills under the guise of enlightenment as we are bombarded with reality shows that make us cringe and news that paralyzes us with anxiety. Walter Cronkite must be rolling over in his grave.
Yet hope—dim and distant—remains. For in the hands of the conscious, the remote wields the power to switch off, to awaken from the trance, and to remember the stories worth telling, those that unite rather than divide, illuminate rather than obscure, heal rather than harm.
"One of the great tragedies of life is when a beautiful theory is murdered by an ugly gang of facts"
