The Slime
by CD
Once upon a modern dreariness, nestled between the flickering shadows of yesterday and the blinding lights of the future, television transformed. That magical box that united families, kindled imaginations, brought stories from all over the world, and invited us to laugh, think and wonder together had morphed, – a chameleon darkened by the passage of five short decades.
In the beginning, its glow was a beacon, drawing in weary souls seeking solace, laughter, and dreams. It was a communal hearth where stories danced like flames, enlightening minds and warming hearts. But as the years rolled by, the vibrant hues of creativity and unity faded into a monochromatic haze.
What used to be a source of joy and unity turned into something ugly. The era of enlightenment decayed into the age of excess. Television, once the dreamweaver, became the dreamstealer. It transformed oh so gradually into a siren, luring viewers with the promise of escapism, only to slime us as portrayed by Frank Zappa and The Mothers.
The screen, once a window to worlds unseen and voices unheard, became a mirror, reflecting and magnifying society's most poisonous underbelly. It reveled in the sordid dance of reality unbound by ethics and we ate it up, slowly turning us into zombies by the process of osmosis.
God has been forgotten and replaced with “I am God. I can solve all of my own problems.” Television nudged that agenda along. Truth was its first casualty followed by the sacrifice of human dignity. Gone were the days of gentle lessons and heartfelt connections. In their stead rose a buffet of chaos, confusion, and shock value. Sensationalism sat enthroned, crowned by apathy.
As the clock ticks toward another uncertain dawn, the television– coupled with the exponential wickedness of the internet, stands, a monument to what was and a warning of what is. It is the Pandora's box of a new era, unleashing untold ills under the guise of enlightenment as we are bombarded with reality shows that make us cringe and news that paralyzes us with anxiety. Walter Cronkite must be rolling over in his grave.
Yet hope—dim and distant—remains. For in the hands of the conscious, the remote wields the power to switch off, to awaken from the trance, and to remember the stories worth telling, those that unite rather than divide, illuminate rather than obscure, heal rather than harm.
Songwriters: Leslie West, Corky Laing, Felix Pappalardi, David Rea
Mississippi Queen is a classic hall of fame entry into the world of Rock and Roll. It seems to be the story of a young man in the south who finds an amazing lady, who just happened to be a dancer and spends all his money on her while she teaches him the way of the world. Addiction or just a boy hopelessly in love? There's a fine line, which makes this a classic piece of Rock and Roll.
Let me explain. These are Dallas radio stations. Rock and Roll rose very quickly in the late 50's and exploded in the 1960's. You can see that it (in my opinion) peaked in the 1970's and died a slow agonizing death going down slower than it had risen, mostly due to the momentum it had gained in the 60's and 70's which we will cherish well into the future. Very little good rock and roll was created after the 80's (really not much in the 80's if you ask me), and the only rock and roll we have to listen to is old rock and roll. It will carry me through my lifetime and maybe a few decades beyond. I listened to KLIF 1190 AM in the 1960's when rock and roll radio flourished. FM wasn't even around then, that I can remember, but by the time I made the jump to KNUS 98.7 and soon after KVIL 103.7, little could I comprehend that rock and roll was peaking. KNUS and KVIL were top 40, bubblegum or pop stations. I didn't understand that at the time. KLIF had been a more serious rock and roll station but that could be because there wasn't as much music around then. The early to mid 70's stations were just a natural progression and we took what was given to us at the time.
I had heard about KZEW, The Zoo, 97.9 along about 8th grade, but it wasn't until my sophomore year, 1974 that I began to listen. This was a game changer in my rock and roll world. These people cared about the music and played deep into the albums. The exposure to great music was wider and this is when I became a connoisseur. Until now, I had eaten everything that was placed before me, but now I had a choice. I decided to rock. KTXQ 102.1 came along soon after and we had two stations to go back and forth with, buy records, and go to concerts. We enjoyed a good 15 years of rocking on down the highway. Then something dreadful happened in Dec. of 1989. On my way to work, I turned on the Zoo and what do I hear? Christmas music. I love Christmas music as much as the next guy, but it wasn't what I was expecting. I heard the bad news from someone. The Zoo was going to play Christmas music until the end of the year, then would be no more. It was gone. Dead. Formaldehyde City. Get over it. I didn't get over it, it was Feb. 3, 1959 all over again and would never be resurrected. Those great, album oriented stations who cared more about the music than anything else ended. It probably wasn't financially feasible, but it was nice while we had it. We still have KZPS 92.5 and all the silliness that seems to pay the bills. Yuck!
In addition to my graph I proudly present above, I did a critical analysis of this phenomenon we call Rock and Roll and pinpointed the exact peak to be the year 1971. Everything before then was on the way up and afterward on the way down. But it did rise back up in a way. The internet came along and brought to the front a lot of old music that I had never heard, or hadn't heard in a long time. I have more true rock and roll now than ever before, but the creation of it has long been dead. The end. ~JK